![]() De Sica and Zavattini’s other major films, such as Miracle in Milan (1951), Umberto D. De Sica, finally in a position of complete artistic control, said he “felt such.happiness!” during the production of Shoeshine, and the film proceeded to earn an honorary Academy Award and paved the way for the arrival of Best Foreign Film category thereafter. The duo produced Shoeshine (1946), a tragic account of two children whose friendship crumbles when they begin committing petty crime in postwar Italy. The hypocrisy and lies pervading Mussolini’s fascist leadership provoked the two men’s desire to “tell the truth” in their films.Īfter the demise of the fascism and the end of WWII, there was an explosion of creative energy in Italy, and De Sica and Zavattini’s neorealist partnership flourished. This desire coincided with meeting his longtime artistic partner, Cesare Zavattini-the writer associated with some of the greatest European directors of the 20th century-around 1941. As fascists took power in the late 1930s, De Sica developed an urge to direct. However, the harsh reality of fascism in Italy and WWII pushed De Sica to evolve from a lightweight actor to one of Europe’s greatest tragic filmmakers. ![]() In the 1930s, he became a popular leading man and starred in several breezy sentimental romantic musicals and comedies. Neorealism drastically changed the film landscape in Europe and beyond, and De Sica’s films evoked the quintessence of the movement with his use of non-professional actors, on-location shooting, natural light, and deep explorations of the human condition.ĭespite his clear gift as a director, De Sica began his film career as an actor. Known as one of the most influential and innovative directors of postwar European cinema, Vittorio De Sica has been celebrated for his contributions to Italian neorealism. ![]()
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